Comics & Graphic Novels @ Cal State LA

In her first memoir, New Yorkercartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.

How does one deal with a diagnosis of Parkinson's disease at the age of forty-three? My Degeneration, by former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl, answers the question with humor and passion, recounting the author's attempt to come to grips with the "malicious whimsy" of this chronic, progressive, and disabling disease. This graphic novel tracks Dunlap-Shohl's journey through depression, the worsening symptoms of the disease, the juggling of medications and their side effects, the impact on relations with family and community, and the raft of mental and physical changes wrought by the malady. My Degeneration examines the current state of Parkinson's care, including doctor/patient relations and the repercussions of a disease that, among other things, impairs movement, can rob patients of their ability to speak or write, degrades sufferers' ability to deal with complexity, and interferes with the sense of balance. Readers learn what it's like to undergo a dramatic, demanding, and audacious bit of high-tech brain surgery that can mysteriously restore much of a patient's control over symptoms.

In this powerful memoir the the LA Times calls "moving, rigorous, and heartbreaking," Sarah Leavitt reveals how Alzheimer's disease transformed her mother, Midge, and her family forever. In spare blackand- white drawings and clear, candid prose, Sarah shares her family's journey through a harrowing range of emotions--shock, denial, hope, anger, frustration--all the while learning to cope, and managing to find moments of happiness. Midge, a Harvard educated intellectual, struggles to comprehend the simplest words; Sarah's father, Rob, slowly adapts to his new role as full-time caretaker, but still finds time for wordplay and poetry with his wife; Sarah and her sister Hannah argue, laugh, and grieve together as they join forces to help Midge. Tangles confronts the complexity of Alzheimer's disease, and ultimately releases a knot of memories and dreams to reveal a bond between a mother and a daughter that will never come apart.

Aliceheimer's is a series of illustrated vignettes, daily glimpses into their world with Alzheimer's. Walrath's time with her mother was marked by humor and clarity: "With a community of help that included pirates, good neighbors, a cast of characters from space-time travel, and my dead father hovering in the branches of the maple trees that surround our Vermont farmhouse, Aliceheimer's let us write our own story daily--a story that, in turn, helps rewrite the dominant medical narrative of aging."

Miriam Engelberg is a successful cartoonist who was diagnosed with breast cancer at the age of 43. Like many who face trauma, tragedy, and illness, she was unable tell her story in traditional written and visual forms. Instead, she has created a distinctly unique cartoon memoir. Following in the Art Spiegelman tradition of graphic novels, Engelberg walks us through every emotional and physical stage of the disease, from diagnosis to a return to "normal" life and everything in between: waiting for the biopsy results by pretending to be doing everything but that, awkwardly breaking the diagnostic news to horrified acquaintances, shopping for wigs while fighting nausea and disorientation from her cancer drugs, feeling like an outsider in support groups, and speculating about what caused the cancer in the first place--overzealous cheese consumption, or apathy about multivitamins Cancer Made Me a Shallower Person is an offbeat and darkly humorous account of one very funny woman's battle with an uncertain and often fatal illness.

The groundbreaking graphic memoir that inspires breast cancer patients to fight back--and do so with style. "What happens when a shoe-crazy, lipstick-obsessed, wine-swilling, pasta-slurping, fashion-fanatic, about-to-get-married big-city girl cartoonist with a fabulous life finds . . . a lump in her breast?" That's the question that sets this powerful, funny, and poignant graphic memoir in motion. In vivid color and with a taboo-breaking sense of humor, Marisa Acocella Marchetto tells the story of her eleven-month, ultimately triumphant bout with breast cancer--from diagnosis to cure, and every challenging step in between.

Part poignant cancer memoir and part humorous reflection on a motherless life, this debut graphic novel is extraordinarily comforting and engaging. From before her mother's first oncology appointment through the stages of her cancer to the funeral, sitting shiva, and afterward, when she must try to make sense of her life as a motherless daughter, Tyler Feder tells her story in this graphic novel that is full of piercing--but also often funny--details. She shares the important post-death firsts, such as celebrating holidays without her mom, the utter despair of cleaning out her mom's closet, ending old traditions and starting new ones, and the sting of having the "I've got to tell Mom about this" instinct and not being able to act on it. This memoir, bracingly candid and sweetly humorous, is for anyone struggling with loss who just wants someone to get it.

At the age of twenty-five, Kimiko Tobimatsu was a young, queer, mixed-race woman with no history of health problems whose world was turned upside down when she was diagnosed with breast cancer. In an instant, she became immersed in a new and complicated life of endless appointments, evaluations, and treatments, and difficult conversations with her partner and parents. Kimiko knew that this wasn't what being twenty-five was supposed to be like . .. but then, she didn't have a choice.

Each year, approximately 1.5 million people in the United States and Canada are diagnosed with cancer. This is one family's story. Winner of the 2005 Eisner Award in the category of Best Digital Comic for the original Web version, Mom's Cancer is now available as a graphic novel. An honest, unflinching, and sometimes humorous look at the practical and emotional effect that serious illness can have on patients and their families, Mom's Cancer is a story of hope--uniquely told in words and illustrations. Brian Fies is a freelance journalist whose mother was diagnosed with lung cancer. As he and his two sisters struggled with the effects of her illness and her ongoing recovery from treatment, Brian processed the experience in his journal, which took the form of words and pictures. The story that came to be known as "Mom's Cancer+? first gained notice on the internet. It was posted anonymously, with the intention of sharing information and insights gained from his family's experience. Thanks to the words and illustrations of Brian Fies, readers have already responded that they were surprised and gratified to realize that they weren't alone. Abrams ComicArts is proud to bring this story to a whole new audience.

The prize-winning children's author depicts a childhood from hell in this searing yet redemptive graphic memoir. One day David Small awoke from a supposedly harmless operation to discover that he had been transformed into a virtual mute. A vocal cord removed, his throat slashed and stitched together like a bloody boot, the fourteen-year-old boy had not been told that he had throat cancer and was expected to die. Small, a prize-winning children's author, re-creates a life story that might have been imagined by Kafka. Readers will be riveted by his journey from speechless victim, subjected to X-rays by his radiologist father and scolded by his withholding and tormented mother, to his decision to flee his home at sixteen with nothing more than dreams of becoming an artist. Recalling Running with Scissors with its ability to evoke the trauma of a childhood lost, Stitches will transform adolescent and adult readers alike with its deeply liberating vision.

A young man has a horrible motorcycle accident. He wakesup in the hospital to discover that one of his arms has been amputated. Then aportrait on the wall of his hospital room begins to speak to him. The subject ofthe painting introduces himself as Ambroise Paré, the Frenchbarber-surgeon who revolutionized the art of amputation. From this wonderfullyabsurd premise, the two begin an imaginary conversation that takes them througha sweeping history of surgical amputation, from the Stone Age to the Space Age.Unencumbered by pathos or didacticism, this graphic novel explores the world ofamputation, revealing fascinating details about famous amputees throughouthistory, the invention of the tourniquet, phantom limb syndrome, types ofprostheses, and transhumanist technologies. Playfully illustrated and seriously funny, TheBody Factory is sure to delight anyone interested in the history and future ofmedicine and how we repairï¿9;and evenenhanceï¿9;the body.

The follow-up to the critically acclaimed autobiographical comics collection Super Late Bloomer, documenting transgender artist Julia Kaye's life post-transition. My Life in Transition is a story that's not often told about trans lives: what happens beyond the early days of transition. Both deeply personal and widely relatable, this collection illustrates six months of Julia's life as an out trans woman--about the beauty and pain of love and heartbreak, struggling to find support from bio family and the importance of chosen family, moments of dysphoria and misgendering, learning to lean on friends in times of need, and finding peace in the fact that life keeps moving forward. After the nerve-wracking, anxiety-ridden early transition period has ended and the hormones have done their thing, this book shows how you can be trans and simply exist in society. You can be trans and have a successful future. You can be trans and have a normal life full of ups and downs. In our current political and social climate, this hopeful, accessible narrative about trans lives is both entertaining and vital.

Part memoir, part medical cautionary tale, Dumb tells the story of how an urban twentysomething copes with the everyday challenges that come with voicelessness. Webber adroitly uses the comics medium to convey the practical hurdles she faced as well as the fear and dread that accompanied her increasingly lonely journey to regain her life. Her raw cartooning style, occasionally devolving into chaotic scribbles, splotches of ink, and overlapping montages, perfectly captures her frustration and anxiety. But her ordeal ultimately becomes a hopeful story. Throughout, she learns to lean on the support of her close friends, finds self-expression in creating comics, and comes to understand and appreciate how deeply her voice and identity are intertwined.

The powerful, unforgettable graphic memoir from Jarrett Krosoczka, about growing up with a drug-addicted mother, a missing father, and two unforgettably opinionated grandparents.In kindergarten, Jarrett Krosoczka's teacher asks him to draw his family, with a mommy and a daddy. But Jarrett's family is much more complicated than that. His mom is an addict, in and out of rehab, and in and out of Jarrett's life. His father is a mystery -- Jarrett doesn't know where to find him, or even what his name is. Jarrett lives with his grandparents -- two very loud, very loving, very opinionated people who had thought they were through with raising children until Jarrett came along.

When Henny Beaumont gives birth to her third child, the baby seems no different from her other girls. But when the registrar tells Henry and her husband that the baby might have Down's Syndrome, she knows her life is over. She will have to come to terms with the demands of the child, with both her own and other people's reactions to her. Henry's wit and irony transforms a deeply personal experience into a story that will resonate with every parent. A stunningly honest and poignant book that questions what it really means to be a parent.

Three autobiographical graphic novels. The stories in this collection contain Julia Wertz's signature acerbic wit, ribald humor, and keen eye for the everyday, but they also find the cartoonist delving more deeply into the personal. "Industry" catalogues 25 years of alternately terrible and terrific jobs. "A Strange and Curious Place" is a love letter to Wertz's hometown library. "The Infinite Wait,'" chronicles Wertz's move from her small hometown to San Francisco, her diagnosis with an incurable, auto-immune disease and her subsequent discovery of comics and comic making. Wertz details her struggles with Lupus a chronic disease that has 1.5 to 2 million patients in the United States alone.

As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. Years later, Anna learns that she may carry the hereditary cancer gene responsible for her mother's death. Meanwhile, Layla's family is faced with a difficult decision about kidney transplantation. Their friendship is put to the test when these medical crises reveal stark differences in their perspectives...until revolutionary unrest in Egypt changes their lives forever. The first book in a new series, Lissa brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.

An Arab-American college student struggles to live with epilepsy in this starkly colored and deeply-cutting graphic novel. Isaac wants nothing more than to be a functional college student--but managing his epilepsy is an exhausting battle to survive. He attempts to maintain a balancing act between his seizure triggers and his day-to-day schedule, but he finds that nothing--not even his medication--seems to work. The doctors won't listen, the schoolwork keeps piling up, his family is in denial about his condition, and his social life falls apart as he feels more and more isolated by his illness. Even with an unexpected new friend by his side, so much is up against him that Isaac is starting to think his epilepsy might be unbeatable. Based on the author's own experiences as an epileptic, Mis(h)adra is a boldly visual depiction of the daily struggles of living with a misunderstood condition in today's hectic and uninformed world.

A shining example of excellence in the treatment and care of patients, Unit 371 was a community for thousands of patients and families affected by HIV and AIDS and the people who cared for them. This graphic novel combines Czerwiec’s memories with the oral histories of patients, family members, and staff. It depicts life and death in the ward, the ways the unit affected and informed those who passed through it, and how many look back on their time there today.

Nicola Streeten's little boy, Billy, was two years old when he died following heart surgery for problems diagnosed only 10 days earlier. 13 years later, able to finally revisit a diary written at the time, Streeten began translating her notes into a graphic novel. The result, a gut-wrenchingly sad retrospective reflection from a 'healed' perspective, is an unforgettable portrayal of human responses to trauma.

Cartoonist and doctor Ian Williams takes his stethoscope to Dr Iwan James, a rural GP in need of more than a little care himself. Incontinent old ladies, men with eagle tattoos, traumatised widowers, Iwan's patients cause him both empathy and dismay, further complicated by his feelings for his practise partners: unrequited longing for Dr Lois Pritchard and frustration at the antics of Dr Robert Smith, who will use any means to make Iwan look bad in his presence. Iwan's cycling trips with his friend and mentor, Arthur, provide some welcome relief for him.

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability.

An illustrated feature chronicling ten personal accounts of life and death from the frontlines of COVID-19. These true stories from journalist Ethan Sacks (Old Man Hawkeye) are brought to vivid life by Dalibor Talajic (Deadpool Kills the Marvel Universe, Hotell). Originally distributed online by NBC News, these tales of hope amidst devastation are now available in print for the first time, fully colored, with behind-the scenes features. From a man stuck in Wuhan during the initial days of the outbreak to an ICU nurse in the thick of one of the busiest hospitals in the country to an Italian opera singer who goes viral while trying to bring hope to his devastated neighborhood, this series takes you where news cameras couldn't go.

The Great Hanoi Rat Hunt tells the darkly humorous story of the French colonial state's failed efforts to impose its vision of modernity upon the colonial city of Hanoi, Vietnam. This book offers a case study in the history of imperialism, highlighting the racialized economic inequalities ofempire, colonization as a form of modernization, and industrial capitalism's creation of a radical power differential between "the West and the rest." On a deeper level, The Great Hanoi Rat Hunt examines the contradictions unique to the French Third Republic's colonial "civilizing mission," thedevelopment of Vietnamese resistance to French rule, and the history of disease.

From the Sibert Honor-winning creator behind The Unwanted and Drowned City comes one of the darkest episodes in American history: the Spanish Influenza epidemic of 1918. This nonfiction graphic novel explores the causes, effects, and lessons learned from a major epidemic in our past, and is the perfect tool for engaging readers of all ages, especially teens and tweens learning from home.   New Year's Day, 1918. America has declared war on Germany and is gathering troops to fight. But there's something coming that is deadlier than any war.   When people begin to fall ill, most Americans don't suspect influenza. The flu is known to be dangerous to the very old, young, or frail. But the Spanish flu is exceptionally violent. Soon, thousands of people succumb.

An illustrated feature chronicling ten personal accounts of life and death from the frontlines of COVID-19. These true stories from journalist Ethan Sacks (Old Man Hawkeye) are brought to vivid life by Dalibor Talajic (Deadpool Kills the Marvel Universe, Hotell). Originally distributed online by NBC News, these tales of hope amidst devastation are now available in print for the first time, fully colored, with behind-the scenes features. From a man stuck in Wuhan during the initial days of the outbreak to an ICU nurse in the thick of one of the busiest hospitals in the country to an Italian opera singer who goes viral while trying to bring hope to his devastated neighborhood, this series takes you where news cameras couldn't go.

"A gripping graphic novel about a woman's battle with eating disorders." -- The Guardian Like most kids, Katie was a picky eater. She'd sit at the table in silent protest, hide uneaten toast in her bedroom, listen to parental threats that she'd have to eat it for breakfast. But in any life, a set of circumstances can collide, and normal behavior can soon shade into something sinister, something deadly. Lighter Than My Shadow is a hand-drawn story of struggle and recovery, a trip into the black heart of a taboo illness, an exposure of those who are so weak that they prey on the weak, and an inspiration to anybody who believes in the human power to endure and to eventually find happiness.

Comics for Choice is anthology of comics about abortion. As this fundamental reproductive right continues to be stigmatized and jeopardized, over sixty artists and writers have created comics that boldly share their own experiences, and educate readers on the history of abortion, current political struggles, activism, and more. Lawyers, activists, medical professionals, historians, and abortion fund volunteers have teamed up with cartoonists and illustrators to share their knowledge in accessible comics form.

In the 1970s, best friends Polly and April collect hazy knowledge about the "facts of life"--sex, reproduction, and gender norms--through the gossip of older girls, magazines and books, and the everyday behavior of their families and teachers. What they learn reinforces their assumption that they will grow up to become mothers. As the years pass, they each choose paths that they believe will enable them to "have it all." April's dreams of motherhood come true before too long, but as Polly enthusiastically builds a career, her desire and hope to start a family become less firmly ingrained. Her struggles with chronic illness also have an effect on her choices and relationships, and she wonders whether motherhood will be in the cards for her at all. Soon she meets Jack, and together they start a fraught journey, first debating whether parenthood is right for them and then facing the heartbreak of repeated miscarriages and the effects of illness on their ability to have a child. Through it all, Polly is forced to reexamine what family can mean in a society that so often associates family--and womanhood--with children.

"Winner of the 2021 Vine Awards for Canadian Jewish Literature. A few months after Myriam Steinberg turned forty, she decided she couldn't wait any longer to become a mother. She made the difficult decision to begin the process of conceiving a child without a partner. With her family and friends to support her, she picked a sperm donor and was on her way. But Myriam's journey was far from straightforward. She experienced the soaring highs and devastating lows of becoming pregnant and then losing her babies. She grappled with the best decision to make when choosing donors or opting for a medical procedure. She experienced first-hand the silences, loneliness, and taboos that come with experiences of fetal loss. Unafraid to publicize her experiences, though, she found that, in return, friends and strangers alike started sharing their own fertility stories with her. Although the lack of understanding and language around fetal loss and grief often made it very hard to navigate everyday life, she nonetheless found solace in the community around her who rallied to support her through her journey. Through it all, Myriam remained hopeful and here she unflinchingly shares her story with wry humour, honesty, and courage. Beautifully illustrated by Christache, Catalogue Baby is one woman's story of tragedy and beating the odds, and is a resource for all women and couples who are trying to conceive. Catalogue Baby is a compassionate portrait of fertility and infertility that hasn't been seen before.

ANew York Times bestseller If you work hard enough, if you want it enough, if you're smart and talented and "good enough," you can do anything. Except get pregnant. Her whole life, Lucy Knisley wanted to be a mother. But when it was finally the perfect time, conceiving turned out to be harder than anything she'd ever attempted. Fertility problems were followed by miscarriages, and her eventual successful pregnancy plagued by health issues, up to a dramatic, near-death experience during labor and delivery. This moving, hilarious, and surprisingly informative memoir,Kid Gloves, not only follows Lucy's personal transition into motherhood but also illustrates the history and science of reproductive health from all angles, including curious facts and inspiring (and notorious) figures in medicine and midwifery. Whether you've got kids, want them, or want nothing to do with them, there's something in this graphic memoir to open your mind and heart.

Not Funny Ha-Ha is a bold, slightly wry graphic novel illustrating the lives of two young women from different cultural, family, and financial backgrounds who go through two different abortions (medical and surgical). It follows them through the process of choosing a clinic, reaching out to friends, partners, and/or family, and eventually the procedure(s) itself. It simply shows what happens when a woman goes through it, no questions asked. Despite the fact that so many women and girls have abortions every day, in every city, all around us, it can be a lonely experience. Not Funny Ha-Ha is a little bit technical, a little bit moving, and often funny, in a format uniquely suited to communicate. The book is meant to be a non-judgmental, comforting, even humorous look at what a woman can go through during an abortion. Although the subject matter is heavy, the illustrations are light. The author takes a step back from putting forth any personal opinion whatsoever, simply laying out the events and possible emotional repercussions that could, and often do occur.

This extraordinary graphic novel is a powerful denunciation of sexual violence against women. As seen through the eyes of a twelve-year-old girl named Una, it takes place in northern England in 1977, as the Yorkshire Ripper, a serial killer of prostitutes, is on the loose and creating panic among the townspeople.